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              “I have a lot of experience with instruments, and I know how to
            
            
              orchestrate strings, but it’s all about going with my gut instinct,” he says.
            
            
              “Not to sound cocky, but I’m capable of all of it. That’s what I do for twelve
            
            
              hours a day when I’m working: just going with what feels right. I’ve got
            
            
              a million influences, but what I do is an amalgamation of all that filtered
            
            
              through my own creativity, and that comes from my heart and gut.”
            
            
              It seems like a strong-willed producer meeting an ego-laden rock
            
            
              star might be a formula for fireworks. But Ebbin says that’s the great
            
            
              arena of production.
            
            
              “You’re being brought in to tell an artist, ‘Gee, that’s not good
            
            
              enough. It needs to be better.’ You have to have guts to do that,
            
            
              especially with the bigger bands. But what I’ve found is the bigger they
            
            
              are, the more open-minded and willing they are to entertain new ideas
            
            
              and change things. The young bands are more precious about their
            
            
              music; it can be a full-on battle. That’s why being a record producer is
            
            
              partially like being a psychologist, too. To get your ideas across you
            
            
              have to work on their psyche and emotional state.”
            
            
              In recent years, Ebbin has found success with Bon Jovi guitarist
            
            
              Richie Sambora, who he toured with last year – Ebbin’s first time on stage
            
            
              in decades – as well as up-and-coming electronic rocker Zedd, all of
            
            
              whom he enjoyed working with.
            
            
              But he also has some stories to tell about prima donnas. It’s a tight-
            
            
              knit business, and musicians can be hypersensitive. So he leaves out the
            
            
              names when he says, “Most bands are fun to work with, but others can
            
            
              be a real pain.”
            
            
              What hasn’t caused him any grief is relocating to Montecito, a
            
            
              decision he made after just two years in Los Angeles after moving out West
            
            
              to be closer to the biz. Ebbin and his wife Michelle are raising three sons
            
            
              in the village. Jackson, who’s nine years old, and Cassidy, who’s seven,
            
            
              attend Montecito Union, and Tanner, four, is in preschool at the Montecito
            
            
              Y. And whenever he’s home, which is a lot more these days now that the
            
            
              record business is struggling, he spends most of his time with the family.
            
            
              “We do all sorts of stuff with the kids,” he says. “I’m usually at their
            
            
              baseball games at McKenzie Park or out with them on the BMX bikes.
            
            
              And we love to hang out at Miramar Beach.”
            
            
              When he has time, Ebbin also dabbles in real estate, dealing in
            
            
              flipping high-end houses and other opportunities.
            
            
              “I’m obsessed with real estate. It’s a passion,” he admits. “I’m
            
            
              always looking for projects. It’s like a second career. It’s actually very
            
            
              creative, just like producing records. You’re managing a crew and a
            
            
              process, reconfiguring houses, choosing finishes, designing things. It’s
            
            
              pretty similar.”
            
            
              And he can’t blame his brother for
            
            
              that
            
            
              path.